Everyone loves to watch movies. Bollywood, Hollywood and so on. They
entertain us; explore us to delve into deep thoughts. Newspapers and
newspapermen have long been favorite subjects for moviemakers and there are
some unique movies worth for a journalist. Here are five movies a journalist
student must watch before he/she enters into the field of reporting or
photojournalism or broadcast media.
1. Frost
Nixon, Directed by Ron Howard
A dramatic enactment of the
post-Watergate television interviews held between British talk-show host David
Frost and former president Richard Nixon.
The film tells the story behind
the Frost/Nixon interviews of 1977. The film received five Academy
Award nominations, including Best Picture, Best Actor and Best Director.
Nixon was thought to have destroyed by
Watergate and interred by the Frost interviews.
Ron Howard’s “Frost/Nixon” is a somewhat
fictionalized version of the famous 1977 interviews, all the more effective in
taking the point of view of the outsider, the “lightweight” celebrity
interviewer, then in his own exile in Australia. Precisely because David Frost
(Michael Sheen) was at low ebb professionally and had gambled all his money on
the interviews, his POV enhances and deepens the shadows around Nixon (Frank
Langella). This story could not have been told from Nixon’s POV because we
would not have cared about Frost.
The film begins as a fascinating inside
look at the TV news business and then tightens into a spellbinding thriller.
2. Shattered Glass
Shattered Glass is a 2003
American-Canadian drama film written and directed by Billy Ray.
The screenplay is based on a September 1998 Vanity Fair article
by H. G. Bissinger. In it he chronicled the rapid rise of Stephen
Glass’ journalistic career at The New Republic during the mid-1990s
and his steep fall when his widespread journalistic fraud was
exposed.
As everyone discussing “Shattered Glass”
is bound to observe, there are obvious parallels between Mr. Glass’s behavior
and that of Jayson Blair, the reporter who was found last spring to have
invented or plagiarized portions of at least three dozen articles in The New
York Times.
3. All the President’s Men
Newspapers and newspapermen have long
been favorite subjects for movie makers—a surprising number of whom are former
newspapermen, yet not until “All The President’s Men,” the riveting screen
adaptation of the Watergate book by Carl Bernstein and Bob Woodward, has any
film come remotely close to being an accurate picture of American journalism at
its best.
During the 1972 elections, reporter Bob
Woodward covers what seems to be a minor break-in at the Democratic Party
National headquarters. Certain lawyers, names and addresses make him
suspicious.
“All The President’s Men,” directed by
Alan J. Pakula, written by William Goldman and largely pushed into being by the
continuing interest of one of its stars, Robert Redford, is a lot of things all
at once: a spellbinding detective story about the work of the two Washington
Post reporters who helped break the Watergate scandal, a breathless adventure
that recalls the triumphs of Frank and Joe Hardy in that long-ago series of
boys’ books, and a vivid footnote to some contemporary American history that
still boggles the mind.
4. The Killing Fields, Director: Roland Joffé
Sydney Schanberg is a New York Times journalist covering the civil war
in Cambodia with local representative Dith Pran. Schanberg won’t have trouble
leaving the country but it isn’t the same for Pran.
Unfortunately there’s little wit on show in this telemovie, which,
despite some gorgeous cinematic flourishes, is a bit short on narrative
technique and ambiguities of character. There’s a slick competence about it —
vivid small-town iconography from director of photography Toby Oliver and a superb
score from Basil Hogios and Caitlin Yeo.
5. The Insider
The true story of Jeffery Wigand, the former head of Brown &
Williamson Tobacco Company, who went live on television to expose the bitter
truth of how tobacco companies function.
The Insider is a 1999 American drama film directed
by Michael Mann, based on the true story of a 60 Minutes segment
about Jeffrey Wigand, a whistleblower in the tobacco
industry. The 60 Minutes story originally aired in November 1995
in an altered form because of objections by CBS' then-owner, Laurence
Tisch, who also controlled the Lorillard Tobacco Company. The story later
aired in a complete and uncensored form on February 4, 1996.
It was nominated for seven Academy Awards: Best
Picture, Best Actor in a Leading Role (Russell Crowe), Best
Cinematography, Best Director, Best Editing, Best
Sound and Best Writing, Screenplay Based on Material Previously
Produced or Published.
0 comments:
Post a Comment